{"id":4572,"date":"2016-09-23T11:27:03","date_gmt":"2016-09-23T11:27:03","guid":{"rendered":"http:\/\/mediacritica.md\/?p=4572"},"modified":"2017-03-28T11:15:19","modified_gmt":"2017-03-28T11:15:19","slug":"revista-intre-creativitate-si-antreprenoriat","status":"publish","type":"post","link":"https:\/\/old.mediacritica.md\/ro\/revista-intre-creativitate-si-antreprenoriat\/","title":{"rendered":"Revista, \u00eentre creativitate \u0219i antreprenoriat"},"content":{"rendered":"<p><strong><em>Revista este o publica\u021bie periodic\u0103 imprimat\u0103, mai pu\u021bin axat\u0103 pe \u0219tiri, care con\u021bine articole, proiecte inedite sau studii din domenii variate sau dintr-o anumit\u0103 specialitate, fiind adesea ilustrate. Primele reviste au ap\u0103rut cu sute de ani \u00een urm\u0103, dar \u0219i \u00een prezent sunt a\u0219teptate \u0219i c\u0103utate \u00een chio\u0219curi cu sufletul la gur\u0103 de mii de cititori. Vogue, Cosmopolitan sau Marie Claire sunt pe buzele tuturor \u2013 paginile lor g\u0103zduiesc cele mai influente personalit\u0103\u021bi, vedete de calibru sau oameni de afaceri.<\/em><\/strong><\/p>\n<p>Revista VIP Magazin apare lunar, iar \u00een cei 12 ani de activitate au fost scoase de sub tipar 144 de edi\u021bii, plus zeci de edi\u021bii speciale. Directoarea revistei, Rodica Cior\u0103nic\u0103 recunoa\u0219te: procesul de lucru la o revist\u0103 unul complex. Conceptul unei edi\u021bii, spune ea, se na\u0219te la o \u0219edin\u021b\u0103 cu echipa, iar p\u00e2n\u0103 la publicarea unui articol \u00eencheiat la to\u021bi nasturii, acesta poate avea 10 sau chiar 15 variante.<\/p>\n<p><strong><em>Rodica Cior\u0103nic\u0103, directoare VIP Magazin :<\/em><\/strong> \u201eo \u0219edin\u021b\u0103, dup\u0103 asta se repartizeaz\u0103 subiectele, alegem jurnalistul care este mai interesat sau mai aproape de un subiect sau altul, alegem echipa potrivit\u0103 de fotografi, care va putea lucra cu un personaj sau altul, pentru c\u0103, iar\u0103\u0219i, alegem dup\u0103 caractere, sunt lucruri delicate pe care nimeni nu le intuie\u0219te. dar nu orice fotograf poate g\u0103si limbaj comun cu un personaj, asta e interesant \u0219i nu nici nu orice jurnalist. \u0219i atunci \u00eencerc\u0103m s\u0103 cre\u0103m aceast\u0103 compatibilitate \u00een lucru. ulterior apar articolele, apar pozele, se lucreaz\u0103 la ele\u201d.<\/p>\n<p>Spre deosebire de \u0219tiri, \u00een care predomin\u0103 stilul rigid, limbajul textelor de revist\u0103 este unul cald, artistic, ba chiar emotiv. P\u00e2n\u0103 la publicare, articolele se coordoneaz\u0103 cu personajele despre care se scrie, iar \u00een paralel, un designer lucreaz\u0103 la aranjarea textelor \u0219i pozelor \u00een pagin\u0103. C\u00e2nd procesul e \u00eencheiat, aproape o s\u0103pt\u0103m\u00e2n\u0103 revista se afl\u0103 la tipografie, de unde apare \u00een toat\u0103 splendoarea.<\/p>\n<p><em><strong>Rodica Cior\u0103nic\u0103, directoare VIP Magazin:<\/strong> <\/em>\u201esunt subiecte care vin singure c\u0103tre noi atunci c\u00e2nd vorbim de articole de PR, c\u00e2nd oamenii au nevoie s\u0103 promoveze un produs, s\u0103 promoveze un brand, o afacere. evident aici emo\u021bia este mai pu\u021bin prezent\u0103. \u00een rest, c\u00e2nd vorbim de portrete, de personaje, \u00eencerc\u0103m s\u0103 ar\u0103t\u0103m acea parte mai pu\u021bin cunoscut\u0103\u00a0a unui om atunci alegem noi personajele altfel. le vedem oarecum diferite de restul, sunt oameni care se disting\u201d.<\/p>\n<p>Revista Business Class, una de ni\u0219\u0103, este axat\u0103 pe istoriile de succes ale oamenilor de afaceri \u0219i companiilor care au \u00eenregistrat performan\u021be. \u00cen revist\u0103 pot fi citite articole pe teme economice, financiare \u0219i de business. Mihaela S\u00eerbu de la departamentul marketing spune c\u0103 sursele de existen\u021b\u0103 ale unei reviste sunt fie din plasarea de publicitate, fie din articolele PR.<\/p>\n<p><strong><em>Mihaela S\u00eerbu, departamentul marketing, revista Business Class:<\/em><\/strong> \u201epe l\u00e2ng\u0103 temele care sunt redac\u021bionale \u00een revist\u0103 mai sunt \u0219i o cot\u0103 aparte dedicat\u0103 pentru partenerii no\u0219tri, care vin cu plas\u0103ri de imagine sau cu plas\u0103ri de articole PR, \u00een dependen\u021b\u0103 de tematica pe care doresc s\u0103 o comunice pentru urm\u0103toarea perioad\u0103, cum ar fi: directorul financiar vorbe\u0219te despre cre\u0219terea exporturilor \u00een UE sau rela\u021biile noi care au fost construite \u00eentre companii, care este comunicat\u0103 de directorul general, \u0219i atunci noi vorbim despre un articol PR pentru promovarea imaginii companiei \u0219i a echipei \u00een \u00eentregime\u201d.<\/p>\n<p>Pentru asemenea servicii, fiecare revist\u0103 percepe anumite taxe, care variaz\u0103 \u00eentre sute \u0219i chiar mii de euro. Nu mai pu\u021bin\u0103 aten\u021bie se acord\u0103 coper\u021bii unei reviste, care trebuie s\u0103 fie atr\u0103g\u0103toare, dar \u0219i s\u0103 p\u0103streze o intrig\u0103. Revistele care au, spre exemplu, un tiraj de 3000 de exemplare, distribuie un num\u0103r de edi\u021bii parte partenerilor, \u00een localuri, iar altele expuse spre comercializare.<\/p>\n<p>_______<\/p>\n<p><em><em><a href=\"https:\/\/old.mediacritica.md\/wp-content\/uploads\/2016\/05\/flag.jpg\" rel=\"attachment wp-att-4313\"><img loading=\"lazy\" class=\"size-full wp-image-4313 alignleft\" src=\"https:\/\/old.mediacritica.md\/wp-content\/uploads\/2016\/05\/flag.jpg\" alt=\"flag\" width=\"140\" height=\"74\" \/><\/a>Acest video a fost finan\u021bat de un grant oferit de Departamentul de Stat al SUA. Opiniile, constat\u0103rile \u0219i concluziile\u00a0 din articol apar\u021bin autorilor \u0219i nu reflect\u0103 neap\u0103rat pe cele ale Departamentului de Stat al SUA. \u00a0<\/em><\/em><\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Revista este o publica\u021bie periodic\u0103 imprimat\u0103, mai pu\u021bin axat\u0103 pe \u0219tiri, care con\u021bine articole, proiecte inedite sau studii din domenii variate sau dintr-o anumit\u0103 specialitate, fiind adesea ilustrate. Primele reviste au ap\u0103rut cu sute de ani \u00een urm\u0103, dar \u0219i \u00een prezent sunt a\u0219teptate \u0219i c\u0103utate \u00een chio\u0219curi cu sufletul la gur\u0103 de mii de<\/p>\n<div class=\"read-more\"><a href=\"https:\/\/old.mediacritica.md\/ro\/revista-intre-creativitate-si-antreprenoriat\/\" title=\"Mai mult\">Mai mult<\/a><\/div>\n","protected":false},"author":4,"featured_media":4573,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[28],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v14.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/old.mediacritica.md\/ro\/revista-intre-creativitate-si-antreprenoriat\/\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Revista, \u00eentre creativitate \u0219i antreprenoriat - Mediacritica\" \/>\n<meta property=\"og:description\" content=\"Revista este o publica\u021bie periodic\u0103 imprimat\u0103, mai pu\u021bin axat\u0103 pe \u0219tiri, care con\u021bine articole, proiecte inedite sau studii din domenii variate sau dintr-o anumit\u0103 specialitate, fiind adesea ilustrate. Primele reviste au ap\u0103rut cu sute de ani \u00een urm\u0103, dar \u0219i \u00een prezent sunt a\u0219teptate \u0219i c\u0103utate \u00een chio\u0219curi cu sufletul la gur\u0103 de mii deMai mult\" \/>\n<meta property=\"og:url\" content=\"https:\/\/old.mediacritica.md\/ro\/revista-intre-creativitate-si-antreprenoriat\/\" \/>\n<meta property=\"og:site_name\" content=\"Mediacritica\" \/>\n<meta property=\"article:published_time\" content=\"2016-09-23T11:27:03+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-03-28T11:15:19+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/old.mediacritica.md\/wp-content\/uploads\/2016\/09\/cover-8.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1023\" \/>\n\t<meta property=\"og:image:height\" content=\"767\" \/>\n<meta name=\"twitter:card\" content=\"summary\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/old.mediacritica.md\/ro\/#website\",\"url\":\"https:\/\/old.mediacritica.md\/ro\/\",\"name\":\"Mediacritica\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/old.mediacritica.md\/ro\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"ro-RO\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/old.mediacritica.md\/ro\/revista-intre-creativitate-si-antreprenoriat\/#primaryimage\",\"inLanguage\":\"ro-RO\",\"url\":\"https:\/\/old.mediacritica.md\/wp-content\/uploads\/2016\/09\/cover-8.jpg\",\"width\":1023,\"height\":767},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/old.mediacritica.md\/ro\/revista-intre-creativitate-si-antreprenoriat\/#webpage\",\"url\":\"https:\/\/old.mediacritica.md\/ro\/revista-intre-creativitate-si-antreprenoriat\/\",\"name\":\"Revista, \\u00eentre creativitate \\u0219i antreprenoriat - Mediacritica\",\"isPartOf\":{\"@id\":\"https:\/\/old.mediacritica.md\/ro\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/old.mediacritica.md\/ro\/revista-intre-creativitate-si-antreprenoriat\/#primaryimage\"},\"datePublished\":\"2016-09-23T11:27:03+00:00\",\"dateModified\":\"2017-03-28T11:15:19+00:00\",\"author\":{\"@id\":\"https:\/\/old.mediacritica.md\/ro\/#\/schema\/person\/8692f32a139bbce325bea06e9251c8c8\"},\"inLanguage\":\"ro-RO\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/old.mediacritica.md\/ro\/revista-intre-creativitate-si-antreprenoriat\/\"]}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/old.mediacritica.md\/ro\/#\/schema\/person\/8692f32a139bbce325bea06e9251c8c8\",\"name\":\"Victoria\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/posts\/4572"}],"collection":[{"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/comments?post=4572"}],"version-history":[{"count":5,"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/posts\/4572\/revisions"}],"predecessor-version":[{"id":6019,"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/posts\/4572\/revisions\/6019"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/media\/4573"}],"wp:attachment":[{"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/media?parent=4572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/categories?post=4572"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/tags?post=4572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}