{"id":4445,"date":"2016-09-06T11:40:24","date_gmt":"2016-09-06T11:40:24","guid":{"rendered":"http:\/\/mediacritica.md\/?p=4445"},"modified":"2017-03-28T11:16:06","modified_gmt":"2017-03-28T11:16:06","slug":"new-media-vs-jurnalismul-clasic","status":"publish","type":"post","link":"https:\/\/old.mediacritica.md\/ro\/new-media-vs-jurnalismul-clasic\/","title":{"rendered":"New media vs. jurnalismul clasic"},"content":{"rendered":"<p><strong><em>Pentru c\u0103 jurnalismul este o meserie ca oricare alta, instrumentele de \u00eenregistrare, transmitere sau stocare a informa\u021biei au evoluat \u0219i au \u021binut pasul timpului \u0219i al&#8230; digitaliz\u0103rii. De-a lungul anilor, dictafonul, aparatul foto sau camera video s-au transformat \u00een metode clasice, f\u0103c\u00e2nd loc tehnologiilor new media precum tableta, telefonul sau alte gadgeturi conectate la internet. Astfel c\u0103 imaginile captate cu o dron\u0103 sau camer\u0103 video care filmeaz\u0103 \u00een regim de 360 de grade nu mai sunt o noutate nici pentru mass-media din Republica Moldova.<\/em><\/strong><\/p>\n<p>Portalul de transmisiuni live Privesc.eu a introdus \u00eenregistr\u0103rile video cu o camer\u0103 \u00een regim de 360 de grade la \u00eenceputul anului 2016, la doar c\u00e2teva luni de la lansarea inova\u021biei cu pricina \u00een Statele Unite ale Americii. Aceast\u0103 camer\u0103, care este una de dimensiuni mici comparativ cu cele clasice, permite \u00eenregistrarea imaginilor jur-\u00eemprejur, la 360 de grade, iar utilizatorul le poate accesa av\u00e2nd un telefon sau un calculator conectat la internet.<\/p>\n<p><strong><em>Vlad \u021aurcanu, cameraman Privesc.eu: <\/em><\/strong>\u00a0\u201eLa un miting sau \u00een timpul unor alterca\u021bii, vizitatorul urm\u0103re\u0219te ceea ce vrea el \u0219i vede realitatea, cum se \u00eent\u00e2mpl\u0103 lucrurile \u00eentr-o pia\u021b\u0103 mare sau la un protest\u201d. \u201eLa moment, \u00eenregistrarea nu poate fi efectuat\u0103 \u0219i concomitent s\u0103 transmitem \u00een direct. Pe viitor, probabil acest factor va fi eliminat. Dar p\u00e2n\u0103 atunci, mergem la eveniment, film\u0103m evenimentul \u0219i ulterior, c\u00e2t de repede posibil, \u00eenc\u0103rc\u0103m imaginea, o post\u0103m pe site. P\u00e2n\u0103 acum, pu\u021bine video hostinguri lucreaz\u0103 cu imagini de 360 de grade &#8211; Youtube, Facebook \u0219i \u00eenc\u0103 vreo c\u00e2teva\u201d.<\/p>\n<p>O alt\u0103 inova\u021bie preluat\u0103 de redac\u021biile din Moldova sunt vehiculele aeriene f\u0103r\u0103 de pilot &#8211; \u201edronele\u201d. Drona este un aparat de zbor la care este ata\u0219at\u0103 o camer\u0103 video \u0219i care este dirijat de la distan\u021b\u0103. Una dintre primele institu\u021bii media din lume care a folosit dronele a fost ziarul american \u201eThe Daily\u201d. Cu ajutorul acestora, publica\u021bia a ob\u0163inut <a href=\"http:\/\/www.thedaily.com\/page\/2011\/05\/02\/news-severe-weather-5a-10\/\" target=\"_blank\">imagini video extraordinare<\/a>, \u00een care se putea observa efectul devastator al unei tornade ce a lovit Alabama acum c\u00e2\u021biva ani.<\/p>\n<p>\u00cen jurnalismul de la noi dronele, supranumite \u0219i \u201eochii din cer\u201d care v\u0103d totul, au devenit populare \u00een ultimul an. Constantin Celac de la portalul Agora.md spune c\u0103 aparatele sunt u\u0219or manevrabile \u0219i ajut\u0103 jurnali\u0219tii s\u0103 p\u0103trund\u0103 nep\u0103trunsul.<\/p>\n<p><strong><em>Constantin Celac, jurnalist, operator,\u00a0 portalul Agora:<\/em><\/strong> \u201eAvem semnalul c\u0103 drona este pornit\u0103. Dup\u0103 aceasta, la comanda de distan\u021b\u0103 facem aceea\u0219i dubl\u0103 ap\u0103sare \u0219i pornim comanda de distan\u021b\u0103. Pe dispozitivul pe care-l folosim, care poate fi un telefon sau o tablet\u0103, porne\u0219te automat programul de control\u201d.<\/p>\n<p>Jurnali\u0219tii folosesc aceste \u201ecamere zbur\u0103toare\u201d pentru a ob\u021bine imagini exclusive, inaccesibile echipelor de reporteri afla\u0163i la sol. Bun\u0103oar\u0103, cu ajutorul dronei, jurnali\u0219tii de la Agora au realizat un material despre vilele demnitarilor amplasate \u00een Pensiunea Holercani, dup\u0103 ce reporterilor \u201etradi\u021bionali\u201d li s-a interzis s\u0103 filmeze pe teritoriu, pe motiv c\u0103 obiectul ar constitui secret de stat.<\/p>\n<p><strong><em>Constantin Celac, jurnalist, operator, portalul Agora:<\/em><\/strong> \u201eDrona poate fi folosit\u0103, \u00een special, pentru materialele de investiga\u021bie, pentru a avea acces \u00een locurile \u00een care accesul este interzis sau restric\u021bionat, sau pur \u0219i simplu \u00een locurile \u00een care este greu accesibil de ajuns. De asemenea, drona poate fi folosit\u0103 pentru materiale artistice, pentru c\u0103 primim efect frumos, de zbor, ceea ce cu o camer\u0103 simpl\u0103 nu po\u021bi ob\u021bine\u201d.<\/p>\n<p>Astfel, imaginile captate de o dron\u0103 pot contribui la depistarea unor caren\u021be ale societ\u0103\u021bii, cum ar fi: erori ale sistemului judiciar, corup\u021bie, abuzuri, pe care anumite persoane \u00eencearc\u0103 s\u0103 le ascund\u0103 de ochiul public. Totodat\u0103, de\u0219i nimeni nu contest\u0103 importan\u021ba tehnologiilor new media, pentru a evita poten\u021bialele probleme, jurnalistul trebuie s\u0103 dea dovad\u0103 de un \u00eenalt grad de maturitate civic\u0103 \u015fi de mult profesionalism: cei care utilizeaz\u0103 aceste instrumente trebuie s\u0103 \u021bin\u0103 cont de etic\u0103, de corectitudine \u0219i echidistan\u021b\u0103, s\u0103 respecte dreptul persoanei la intimitate \u0219i s\u0103 nu admit\u0103 ingerin\u021be \u00een via\u021ba personal\u0103 a eroilor reportajelor.<\/p>\n<p>____________<\/p>\n<p><em><a href=\"https:\/\/old.mediacritica.md\/wp-content\/uploads\/2016\/05\/flag.jpg\" rel=\"attachment wp-att-4313\"><img loading=\"lazy\" class=\"size-full wp-image-4313 alignleft\" src=\"https:\/\/old.mediacritica.md\/wp-content\/uploads\/2016\/05\/flag.jpg\" alt=\"flag\" width=\"140\" height=\"74\" \/><\/a>Acest video a fost finan\u021bat de un grant oferit de Departamentul de Stat al SUA. Opiniile, constat\u0103rile \u0219i concluziile\u00a0 din articol apar\u021bin autorilor \u0219i nu reflect\u0103 neap\u0103rat pe cele ale Departamentului de Stat al SUA. \u00a0<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Pentru c\u0103 jurnalismul este o meserie ca oricare alta, instrumentele de \u00eenregistrare, transmitere sau stocare a informa\u021biei au evoluat \u0219i au \u021binut pasul timpului \u0219i al&#8230; digitaliz\u0103rii. De-a lungul anilor, dictafonul, aparatul foto sau camera video s-au transformat \u00een metode clasice, f\u0103c\u00e2nd loc tehnologiilor new media precum tableta, telefonul sau alte gadgeturi conectate la internet.<\/p>\n<div class=\"read-more\"><a href=\"https:\/\/old.mediacritica.md\/ro\/new-media-vs-jurnalismul-clasic\/\" title=\"Mai mult\">Mai mult<\/a><\/div>\n","protected":false},"author":4,"featured_media":4446,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[28],"tags":[103],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v14.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/old.mediacritica.md\/ro\/new-media-vs-jurnalismul-clasic\/\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"New media vs. jurnalismul clasic - Mediacritica\" \/>\n<meta property=\"og:description\" content=\"Pentru c\u0103 jurnalismul este o meserie ca oricare alta, instrumentele de \u00eenregistrare, transmitere sau stocare a informa\u021biei au evoluat \u0219i au \u021binut pasul timpului \u0219i al&#8230; digitaliz\u0103rii. De-a lungul anilor, dictafonul, aparatul foto sau camera video s-au transformat \u00een metode clasice, f\u0103c\u00e2nd loc tehnologiilor new media precum tableta, telefonul sau alte gadgeturi conectate la internet.Mai mult\" \/>\n<meta property=\"og:url\" content=\"https:\/\/old.mediacritica.md\/ro\/new-media-vs-jurnalismul-clasic\/\" \/>\n<meta property=\"og:site_name\" content=\"Mediacritica\" \/>\n<meta property=\"article:published_time\" content=\"2016-09-06T11:40:24+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-03-28T11:16:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/old.mediacritica.md\/wp-content\/uploads\/2016\/09\/cover-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1023\" \/>\n\t<meta property=\"og:image:height\" content=\"767\" \/>\n<meta name=\"twitter:card\" content=\"summary\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/old.mediacritica.md\/ro\/#website\",\"url\":\"https:\/\/old.mediacritica.md\/ro\/\",\"name\":\"Mediacritica\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/old.mediacritica.md\/ro\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"ro-RO\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/old.mediacritica.md\/ro\/new-media-vs-jurnalismul-clasic\/#primaryimage\",\"inLanguage\":\"ro-RO\",\"url\":\"https:\/\/old.mediacritica.md\/wp-content\/uploads\/2016\/09\/cover-1.jpg\",\"width\":1023,\"height\":767},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/old.mediacritica.md\/ro\/new-media-vs-jurnalismul-clasic\/#webpage\",\"url\":\"https:\/\/old.mediacritica.md\/ro\/new-media-vs-jurnalismul-clasic\/\",\"name\":\"New media vs. jurnalismul clasic - Mediacritica\",\"isPartOf\":{\"@id\":\"https:\/\/old.mediacritica.md\/ro\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/old.mediacritica.md\/ro\/new-media-vs-jurnalismul-clasic\/#primaryimage\"},\"datePublished\":\"2016-09-06T11:40:24+00:00\",\"dateModified\":\"2017-03-28T11:16:06+00:00\",\"author\":{\"@id\":\"https:\/\/old.mediacritica.md\/ro\/#\/schema\/person\/8692f32a139bbce325bea06e9251c8c8\"},\"inLanguage\":\"ro-RO\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/old.mediacritica.md\/ro\/new-media-vs-jurnalismul-clasic\/\"]}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/old.mediacritica.md\/ro\/#\/schema\/person\/8692f32a139bbce325bea06e9251c8c8\",\"name\":\"Victoria\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/posts\/4445"}],"collection":[{"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/comments?post=4445"}],"version-history":[{"count":7,"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/posts\/4445\/revisions"}],"predecessor-version":[{"id":6020,"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/posts\/4445\/revisions\/6020"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/media\/4446"}],"wp:attachment":[{"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/media?parent=4445"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/categories?post=4445"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/tags?post=4445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}