{"id":10401,"date":"2019-02-27T09:30:06","date_gmt":"2019-02-27T09:30:06","guid":{"rendered":"http:\/\/mediacritica.md\/?p=10401"},"modified":"2019-02-27T09:30:12","modified_gmt":"2019-02-27T09:30:12","slug":"video-explainer-despre-tehnica-manipularii-prin-intermediul-imaginilor-video","status":"publish","type":"post","link":"https:\/\/old.mediacritica.md\/ro\/video-explainer-despre-tehnica-manipularii-prin-intermediul-imaginilor-video\/","title":{"rendered":"(Video explainer) Despre tehnica manipul\u0103rii prin intermediul imaginilor video"},"content":{"rendered":"<p><em>\u201eTehnica manipul\u0103rii prin intermediul imaginilor video const\u0103 \u00een utilizarea secven\u021belor video \u00een care oameni, locuri, lucruri \u0219i cuvinte apar astfel \u00eenc\u00e2t, combinate cu textul materialului jurnalistic, acestea fie s\u0103 confirme afirma\u021biile autorului, fie s\u0103 fac\u0103 o asociere &#8211; pozitiv\u0103 sau negativ\u0103 &#8211; dintre imagine \u0219i un text nespus\u201d,<\/em> ne spune cercet\u0103toarea media Aneta Gon\u021ba \u00eentr-un nou video explainer lansat miercuri, 27 februarie, de Centrul pentru Jurnalism Independent.<\/p>\n<p>Pornind de la ideea c\u0103 o imagine valoreaz\u0103 c\u00e2t o mie de cuvinte, Aneta Gon\u021ba\u00a0 aduce dou\u0103 exemple de manipulare prin intermediul imaginilor video, folosite de unele televiziuni de la noi. \u00cen primul caz explicat de cercet\u0103toare, postul TV a recurs la transferul de imagine negativ\u0103 de la o persoan\u0103 acuzat\u0103 de viol c\u0103tre liderul partidului din care aceast\u0103 persoan\u0103 face parte; cel de-al doilea exemplu este despre un eveniment organizat de un partid politic \u00een centrul Chi\u0219in\u0103ului.<\/p>\n<p>\u0218i anume, \u00een \u0219tirile difuzate de la manifesta\u021bia din centrul capitalei, imaginile video au fost montate astfel, \u00eenc\u00e2t s\u0103 sus\u021bin\u0103 afirma\u021biile organizatorilor privind num\u0103rul mare de participan\u021bi. Prin urmare, au fost publicate doar imagini video filmate oblic, sub un unghi ce amplific\u0103 perspectiva mul\u021bimii adunate.<\/p>\n<p>La finalul video explainer-ului, Aneta Gon\u021ba \u00eei \u00eendeamn\u0103 pe consumatorii de media la vigilen\u021b\u0103, \u00eentruc\u00e2t doar astfel ei vor putea evita capcanele \u00eentinse de cei care \u0219tiu cum s\u0103 dea valoare imaginii nu pentru a informa, ci pentru a manipula.<\/p>\n<p><iframe width=\"865\" height=\"487\" src=\"https:\/\/www.youtube.com\/embed\/L6D-wS-3PD0?start=1&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>_________________________<\/p>\n<p><em>Acest video este posibil datorit\u0103 ajutorului generos al poporului american oferit prin intermediul Agen\u021biei SUA pentru Dezvoltare Interna\u021bional\u0103 (USAID). Opiniile exprimate apar\u021bin autorilor \u0219i nu reflect\u0103 \u00een mod necesar pozi\u021bia USAID sau a Guvernului SUA.<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>\u201eTehnica manipul\u0103rii prin intermediul imaginilor video const\u0103 \u00een utilizarea secven\u021belor video \u00een care oameni, locuri, lucruri \u0219i cuvinte apar astfel \u00eenc\u00e2t, combinate cu textul materialului jurnalistic, acestea fie s\u0103 confirme afirma\u021biile autorului, fie s\u0103 fac\u0103 o asociere &#8211; pozitiv\u0103 sau negativ\u0103 &#8211; dintre imagine \u0219i un text nespus\u201d, ne spune cercet\u0103toarea media Aneta Gon\u021ba \u00eentr-un<\/p>\n<div class=\"read-more\"><a href=\"https:\/\/old.mediacritica.md\/ro\/video-explainer-despre-tehnica-manipularii-prin-intermediul-imaginilor-video\/\" title=\"Mai mult\">Mai mult<\/a><\/div>\n","protected":false},"author":4,"featured_media":10402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[28],"tags":[187,81],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v14.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/old.mediacritica.md\/ro\/video-explainer-despre-tehnica-manipularii-prin-intermediul-imaginilor-video\/\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"(Video explainer) Despre tehnica manipul\u0103rii prin intermediul imaginilor video - Mediacritica\" \/>\n<meta property=\"og:description\" content=\"\u201eTehnica manipul\u0103rii prin intermediul imaginilor video const\u0103 \u00een utilizarea secven\u021belor video \u00een care oameni, locuri, lucruri \u0219i cuvinte apar astfel \u00eenc\u00e2t, combinate cu textul materialului jurnalistic, acestea fie s\u0103 confirme afirma\u021biile autorului, fie s\u0103 fac\u0103 o asociere &#8211; pozitiv\u0103 sau negativ\u0103 &#8211; dintre imagine \u0219i un text nespus\u201d, ne spune cercet\u0103toarea media Aneta Gon\u021ba \u00eentr-unMai mult\" \/>\n<meta property=\"og:url\" content=\"https:\/\/old.mediacritica.md\/ro\/video-explainer-despre-tehnica-manipularii-prin-intermediul-imaginilor-video\/\" \/>\n<meta property=\"og:site_name\" content=\"Mediacritica\" \/>\n<meta property=\"article:published_time\" content=\"2019-02-27T09:30:06+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-02-27T09:30:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/old.mediacritica.md\/wp-content\/uploads\/2019\/02\/00Explainer-Aneta-ep2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n<meta name=\"twitter:card\" content=\"summary\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/old.mediacritica.md\/ro\/#website\",\"url\":\"https:\/\/old.mediacritica.md\/ro\/\",\"name\":\"Mediacritica\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/old.mediacritica.md\/ro\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"ro-RO\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/old.mediacritica.md\/ro\/video-explainer-despre-tehnica-manipularii-prin-intermediul-imaginilor-video\/#primaryimage\",\"inLanguage\":\"ro-RO\",\"url\":\"https:\/\/old.mediacritica.md\/wp-content\/uploads\/2019\/02\/00Explainer-Aneta-ep2.jpg\",\"width\":1920,\"height\":1080},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/old.mediacritica.md\/ro\/video-explainer-despre-tehnica-manipularii-prin-intermediul-imaginilor-video\/#webpage\",\"url\":\"https:\/\/old.mediacritica.md\/ro\/video-explainer-despre-tehnica-manipularii-prin-intermediul-imaginilor-video\/\",\"name\":\"(Video explainer) Despre tehnica manipul\\u0103rii prin intermediul imaginilor video - Mediacritica\",\"isPartOf\":{\"@id\":\"https:\/\/old.mediacritica.md\/ro\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/old.mediacritica.md\/ro\/video-explainer-despre-tehnica-manipularii-prin-intermediul-imaginilor-video\/#primaryimage\"},\"datePublished\":\"2019-02-27T09:30:06+00:00\",\"dateModified\":\"2019-02-27T09:30:12+00:00\",\"author\":{\"@id\":\"https:\/\/old.mediacritica.md\/ro\/#\/schema\/person\/8692f32a139bbce325bea06e9251c8c8\"},\"inLanguage\":\"ro-RO\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/old.mediacritica.md\/ro\/video-explainer-despre-tehnica-manipularii-prin-intermediul-imaginilor-video\/\"]}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/old.mediacritica.md\/ro\/#\/schema\/person\/8692f32a139bbce325bea06e9251c8c8\",\"name\":\"Victoria\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/posts\/10401"}],"collection":[{"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/comments?post=10401"}],"version-history":[{"count":1,"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/posts\/10401\/revisions"}],"predecessor-version":[{"id":10403,"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/posts\/10401\/revisions\/10403"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/media\/10402"}],"wp:attachment":[{"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/media?parent=10401"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/categories?post=10401"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/old.mediacritica.md\/ro\/wp-json\/wp\/v2\/tags?post=10401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}