{"id":10279,"date":"2019-01-30T08:29:01","date_gmt":"2019-01-30T08:29:01","guid":{"rendered":"http:\/\/mediacritica.md\/?p=10279"},"modified":"2019-03-14T15:48:35","modified_gmt":"2019-03-14T15:48:35","slug":"culisele-manipularii-sau-ce-mesaje-ascund-unele-filme-artistice","status":"publish","type":"post","link":"https:\/\/old.mediacritica.md\/ro\/culisele-manipularii-sau-ce-mesaje-ascund-unele-filme-artistice\/","title":{"rendered":"\u00cen culisele manipul\u0103rii sau ce mesaje ascund unele filme artistice"},"content":{"rendered":"<p><strong><em>Cinematografia<\/em><\/strong><strong><em> a fost utilizat\u0103 \u00een scopuri propagandistice \u00eenc\u0103 de la \u00eenceputurile sale, trec\u00e2nd treptat de la o form\u0103 de divertisment la un instrument de influen\u021bare a opiniei publice &#8211; sau \u00eembin\u00e2ndu-le pe ambele. Ast\u0103zi avem acces la sute \u0219i mii de filme \u0219i seriale de calitate. Mai rar \u00eens\u0103 observ\u0103m mesajele subtile \u0219i personajele carismatice, dar manipulator plantate \u00een subiectul peliculei.<\/em><\/strong><\/p>\n<p><strong><em>Stereotipuri eroice \u00een locul personajelor reale<\/em><\/strong><\/p>\n<p><u><a href=\"https:\/\/www.imdb.com\/title\/tt6324614\/\">Filmul \u201eSobibor<\/a><\/u>\u201d, \u00een regia rusului Konstantin Habenski, este prezentat drept o produc\u021bie eroic\u0103 \u0219i care, aparent, <a href=\"https:\/\/old.mediacritica.md\/wp-content\/uploads\/2019\/01\/1.jpg\"><img loading=\"lazy\" class=\"size-medium wp-image-10280 alignleft\" src=\"https:\/\/old.mediacritica.md\/wp-content\/uploads\/2019\/01\/1-245x350.jpg\" alt=\"\" width=\"245\" height=\"350\" srcset=\"https:\/\/old.mediacritica.md\/wp-content\/uploads\/2019\/01\/1-245x350.jpg 245w, https:\/\/old.mediacritica.md\/wp-content\/uploads\/2019\/01\/1.jpg 347w\" sizes=\"(max-width: 245px) 100vw, 245px\" \/><\/a>respect\u0103 o anumit\u0103 acurate\u021be istoric\u0103. Totu\u0219i, dup\u0103 o analiz\u0103 am\u0103nun\u021bit\u0103 a peliculei, observ\u0103m c\u0103 povestea eroului principal, Aleksandr Pechersky, interpretat de acela\u0219i Habenski, este folosit\u0103 subtil de propagandi\u0219tii de la Kremlin. Filmul ilustreaz\u0103 singura revolt\u0103 \u0219i evadare reu\u0219it\u0103 dintr-un lag\u0103r nazist, \u00een octombrie 1943 (<u><a href=\"https:\/\/en.wikipedia.org\/wiki\/Sobib%C3%B3r_extermination_camp\">lag\u0103rul de exterminare Sobibor<\/a><\/u>), ac\u021biune ce a fost condus\u0103 de Pechersky, ajuns la Sobibor \u00eempreun\u0103 cu alte c\u00e2teva mii de evrei captura\u021bi \u00een timpul celui de-al Doilea R\u0103zboi Mondial.<\/p>\n<p>\u00cen pofida faptului c\u0103 \u201eSobibor\u201d \u00ee\u0219i propune s\u0103 fie o \u201ereconstituire istoric\u0103\u201d, vizionarea atent\u0103 a filmului las\u0103 impresia c\u0103 avem de-a face cu un stereotip eroic al lui Aleksandr Pechersky, nu cu personajul care a fost acesta \u00een realitate. Regizorul Habenski \u00eel portretizeaz\u0103 pe Pechersky drept un erou sovietic pur-s\u00e2nge, c\u0103ruia i-a reu\u0219it un plan \u00eendr\u0103zne\u021b de evadare. De fapt, povestea acestuia este mai relevant\u0103 dup\u0103 ce a fugit din lag\u0103rul de exterminare. \u0218i anume, dup\u0103 evadarea din lag\u0103r,\u00a0Pechersky este integrat \u00een r\u00e2ndurile Armatei Ro\u0219ii, unde este arestat \u0219i trimis \u00een prima linie de lupt\u0103 pe post de \u201ecarne de tun\u201d. De asemenea, Pechersky are de suferit \u00een urma campaniei antisemite staliniste, c\u00e2nd \u00ee\u0219i pierde locul de munc\u0103, nereu\u0219ind s\u0103 se angajeze \u00een alt\u0103 parte. Moare \u00een 1990, f\u0103r\u0103 o recunoa\u0219tere oficial\u0103 a meritelor sale. Dup\u0103 cum era de a\u0219teptat, \u00eens\u0103, aceste evenimente ulterioare din via\u021ba lui Aleksandr Pechersky nu apar \u00een film, ele fiind pur \u0219i simplu omise, deoarece nu mai corespund imaginii de erou sovietic.<\/p>\n<p><iframe width=\"865\" height=\"487\" src=\"https:\/\/www.youtube.com\/embed\/Yn0MIA7Q2uQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>Este important s\u0103 men\u021bion\u0103m c\u0103 \u00een Rusia premiera filmului a avut loc la <u><a href=\"https:\/\/www.realitatea.md\/oscar-2019-rusia-propune-un-film-despre-lagarul-nazist-sobibor_83524.html\">3 mai 2018<\/a><\/u> &#8211; \u00een preajma zilei de 9 mai, c\u00e2nd propaganda de la Kremlin reanimeaz\u0103 sentimentele nostalgice sovietice. Pelicula a putut fi vizionat\u0103 nu numai \u00een cinematografe, inclusiv la Chi\u0219in\u0103u, dar \u0219i la <u><a href=\"https:\/\/kino.1tv.ru\/serials\/sobibor\">Perv\u00eei kanal<\/a><\/u>, dovad\u0103 c\u0103 filmul este aprobat de cenzura ruseasc\u0103 \u0219i poart\u0103 mesajul dorit de Puterea de la Moscova.<\/p>\n<p><strong><em>O poveste roman\u021bat\u0103 despre o perioad\u0103 controversat\u0103<\/em><\/strong><\/p>\n<p><a href=\"https:\/\/old.mediacritica.md\/wp-content\/uploads\/2019\/01\/2.jpg\"><img loading=\"lazy\" class=\"alignright size-medium wp-image-10281\" src=\"https:\/\/old.mediacritica.md\/wp-content\/uploads\/2019\/01\/2-231x350.jpg\" alt=\"\" width=\"231\" height=\"350\" srcset=\"https:\/\/old.mediacritica.md\/wp-content\/uploads\/2019\/01\/2-231x350.jpg 231w, https:\/\/old.mediacritica.md\/wp-content\/uploads\/2019\/01\/2.jpg 331w\" sizes=\"(max-width: 231px) 100vw, 231px\" \/><\/a>Un alt film care ne aduce o poveste din trecut &#8211; de data aceasta, din trecutul Moldovei sovietice &#8211; este <a href=\"https:\/\/www.kinopoisk.ru\/film\/161139\/\">\u201e\u0417\u0430\u044f\u0446 \u043d\u0430\u0434 \u0431\u0435\u0437\u0434\u043d\u043e\u0439\u201d<\/a>. Acest serial rusesc, lansat pe ecrane \u00een anul 2006, dezvolt\u0103 o istorie idealizat\u0103 a vizitei pe care, \u00een 1971, liderul sovietic Leonid Ilici Brejnev a \u00eentreprins-o RSSM. \u00cen aceast\u0103 pelicul\u0103 descoperim un portret mai pu\u021bin oficial al lui Brejnev, care era o <em>\u201eenciclopedie a pl\u0103cerilor sovietice\u201d<\/em>, un iubitor al meselor copioase, al vinului moldovenesc \u0219i al s\u0103rb\u0103torilor fastuoase. Plictisit \u00eens\u0103 de distrac\u021biile quasi-standardizate ale tovar\u0103\u0219ilor moldoveni, Brejnev evadeaz\u0103 printre \u021biganii locali, \u0219i asta \u00een pofida faptului c\u0103 unul dintre ei i-a furat limuzina cu care a venit&#8230; Liderul sovietic \u00eel ajut\u0103 pe ho\u021b s\u0103 se \u00eensoare \u0219i chiar emite un decret special, prin care \u00eel convinge pe baronul \u021biganilor s\u0103 legitimeze c\u0103s\u0103toria dat\u0103. Situa\u021bia ajunge la absurd c\u00e2nd\u00a0 Brejnev \u00ee\u0219i g\u0103se\u0219te propria dragoste pierdut\u0103, dup\u0103 ce un grup de \u021bigani \u00eei aduc femeia iubit\u0103 &#8211; nimeni altcineva dec\u00e2t&#8230; Regina Marii Britanii, Elisabeta a II-a.<\/p>\n<p>Scopul acestei pove\u0219ti incredibile, care bine\u00een\u021beles c\u0103 nu are nimic \u00een comun cu realitatea, este de a modela o imagine romantic\u0103 a fostului lider sovietic. Astfel, vedem un Leonid Brejnev bl\u00e2nd, binevoitor, care g\u0103se\u0219te u\u0219or limbaj comun cu oamenii de r\u00e2nd \u0219i care-\u0219i caut\u0103 lini\u0219tea \u00een lucrurile simple \u0219i \u00een s\u00e2nul naturii. \u00cen una dintre scene, Brejnev chiar le d\u0103ruie\u0219te \u021biganilor sacoul s\u0103u, cu numeroasele distinc\u021bii militare, fapt care vrea s\u0103 spun\u0103 c\u0103 medaliile nu valoreaz\u0103 at\u00e2t de mult pentru el. De fapt, \u00een via\u021ba real\u0103, Leonid Brejnev era celebru pentru ceremoniile fastuoase \u00een care se (auto)decora cu ocazia a diverse anivers\u0103ri socialiste, dar \u0219i pentru satisfac\u021bia cu care primea cadouri de lux din partea altor lideri politici.<\/p>\n<p><iframe width=\"865\" height=\"649\" src=\"https:\/\/www.youtube.com\/embed\/9ZCirWN5BiQ?start=53&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>Este adev\u0103rat c\u0103 Brejnev era un hedonist notoriu \u00eenc\u0103 de pe timpurile c\u00e2nd a fost delegat pe post de Prim-secretar al RSS Moldovene\u0219ti, \u00eens\u0103 \u00een film sunt trecute cu vederea \u0219i e\u0219ecurile sale din acea perioad\u0103, \u0219i cele admise \u00een calitate de lider al URSS. C\u0103ci, tocmai sub c\u00e2rmuirea lui Brejnev cet\u0103\u021benii sovietici au resim\u021bit degradarea clasei politice, propaganda televizat\u0103, succesele economice existente doar pe h\u00e2rtie \u0219i \u201edistan\u021ba tehnologic\u0103\u201d tot mai marea fa\u021b\u0103 de lumea occidental\u0103. Astfel, mini-serialul <strong>\u201e\u0417\u0430\u044f\u0446 \u043d\u0430\u0434 \u0431\u0435\u0437\u0434\u043d\u043e\u0439\u201d<\/strong> este o tentativ\u0103 de a-l prezenta pe Leonid Brejnev, \u00een stilul propagandei clasice sovietice, drept un lider apropiat de oamenii simpli \u0219i un nostalgic dup\u0103 via\u021ba de la \u021bar\u0103, f\u0103r\u0103 a pomeni de faptul c\u0103 ,,epoca brejnevist\u0103\u201d a devenit sinonim cu stagnarea \u0219i dec\u0103derea URSS.<\/p>\n<p><strong><em>Hollywood: t\u0103r\u00e2mul viselor, dar \u0219i al manipul\u0103rilor<\/em><\/strong><\/p>\n<p>Filmele \u0219i serialele produse \u00een studiourile americane sunt la fel de manipulatorii, dac\u0103 e s\u0103 le raport\u0103m la cele ruse\u0219ti, \u00eens\u0103 transmit un alt soi de stereotipuri prin diverse personaje carismatice cu care vrem s\u0103 ne identific\u0103m tot mai mult.<\/p>\n<p><a href=\"https:\/\/old.mediacritica.md\/wp-content\/uploads\/2019\/01\/3-1.jpg\"><img loading=\"lazy\" class=\"size-medium wp-image-10282 alignleft\" src=\"https:\/\/old.mediacritica.md\/wp-content\/uploads\/2019\/01\/3-1-350x263.jpg\" alt=\"\" width=\"350\" height=\"263\" srcset=\"https:\/\/old.mediacritica.md\/wp-content\/uploads\/2019\/01\/3-1-350x263.jpg 350w, https:\/\/old.mediacritica.md\/wp-content\/uploads\/2019\/01\/3-1.jpg 690w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/a>Serialul <u><a href=\"https:\/\/www.imdb.com\/title\/tt1856010\/\">\u201eHouse of Cards\u201d (\u201eCulisele Puterii\u201d)<\/a><\/u> ne vorbe\u0219te despre faptul c\u0103 manipularea la care recurg politicienii pentru a ob\u021bine puterea este o realitate american\u0103 ascuns\u0103, dar care nu poate fi ignorat\u0103. Eroul principal al serialului, Frank Underwood (prezent \u00een primele \u0219ase sezoane), este un congresmen cinic \u0219i machiavelic, care utilizeaz\u0103 orice metod\u0103 de \u0219antaj \u0219i corup\u021bie pentru a avansa pe scena politic\u0103. Underwood ilustreaz\u0103 un politician nemilos, care \u00eenvinge de fiecare dat\u0103, acesta fiind \u0219i deliciul serialului &#8211; nu exist\u0103 niciodat\u0103 un \u201ehappy end\u201d clasic hollywoodian. Citatele lui Underwood au devenit virale pe re\u021belele sociale \u0219i sugereaz\u0103 satisfac\u021bia de a-\u0219i distruge adversarii. Iat\u0103 c\u00e2teva dintre ele:<\/p>\n<ul>\n<li>A lion does not ask permission before he eats a zebra. Lions cannot talk and zebras will not listen. (Un leu nu cere permisiunea \u00eenainte s\u0103 m\u0103n\u00e2nce o zebr\u0103. Leii nu pot vorbi \u0219i zebrele nu vor asculta.)<\/li>\n<li>The road to power is paved with hypocrisy. And casualties. (Drumul spre putere este pavat cu ipocrizie. \u0218i cu victime.)<\/li>\n<li>For those of us climbing to the top of the food chain, there can be no mercy. There is but one rule: hunt or be hunted. (Pentru cei care urc\u0103 spre v\u00e2rful piramidei, nu poate exista mil\u0103. Exist\u0103 o singur\u0103 regul\u0103: e\u0219ti v\u00e2n\u0103tor sau e\u0219ti cel v\u00e2nat.)<\/li>\n<\/ul>\n<p><iframe width=\"865\" height=\"487\" src=\"https:\/\/www.youtube.com\/embed\/ULwUzF1q5w4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>Astfel, personajul Frank Underwood este manipulatorul perfect &#8211; avid de putere, f\u0103r\u0103 un adversar pe potriv\u0103 \u0219i care nu poate suferi \u00eenfr\u00e2ngere. Cu siguran\u021b\u0103, este un film inspirat din via\u021ba real\u0103, din jocurile de culise ale politicii americane, dar nu ar trebui s\u0103 c\u0103dem prad\u0103 stereotipului c\u0103 to\u021bi politicienii sunt manipulatori.<\/p>\n<p><strong><em>Filmele despre r\u0103zboi, un teren mega-fertil<\/em><\/strong><\/p>\n<p>\u0218i filmele americane despre r\u0103zboi sunt, adeseori, o combina\u021bie dintre realitatea istoric\u0103 \u0219i romantismul unor eroi carismatici, fapt care declan\u0219eaz\u0103 mai degrab\u0103 latura patriotic\u0103 a celui ce prive\u0219te, dec\u00e2t \u00een\u021belegerea obiectiv\u0103 a evenimentelor. Una dintre cele mai populare produc\u021bii de acest tip este <a href=\"https:\/\/www.imdb.com\/title\/tt0213149\/?ref_=nv_sr_2\">\u201ePearl Harbor\u201d<\/a>, \u00een regia lui Michael Bay. Ac\u021biunea se bazeaz\u0103 pe un eveniment istoric ce a avut loc \u00een realitate &#8211; atacul nea\u0219teptat al Marinei imperiale japoneze asupra bazei navale americane, care se afla la Pearl Harbor (Hawaii), \u00een diminea\u021ba de duminic\u0103, 7 decembrie 1941. Dup\u0103 acest atac americanii au intrat \u00een cel de-al Doilea R\u0103zboi Mondial. Ca \u0219i \u00een toate filmele de acest tip, spectatorului i se serve\u0219te o poveste de dragoste dintre un curajos pilot american, care s-a oferit voluntar pe front, \u0219i o \u00eenc\u00e2nt\u0103toare asistent\u0103 medical\u0103 dintr-un spital din Hawaii. Dramatismul este \u00eentre\u021binut de scene elaborate de lupt\u0103 aviatic\u0103 dintre americani \u0219i japonezi, care sunt combinate cu tragedia scufund\u0103rii \u00een mare a mai multe de nave de lupt\u0103.<\/p>\n<p><iframe width=\"865\" height=\"487\" src=\"https:\/\/www.youtube.com\/embed\/yzK0GBEkFxc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>Trebuie s\u0103 recunoa\u0219tem capacitatea incredibil\u0103 a Hollywoodului de a ob\u021bine succes de box-office, dar \u0219i popularitate cu filme precum \u201ePearl Harbor\u201d, \u00een situa\u021bia \u00een care, \u00een realitate, evenimentele istorice prezentate au fost un dezastru pentru SUA. C\u0103ci atacul asupra bazelor militare americane din Hawaii nu a fost prevenit tocmai din cauza strategiilor gre\u0219ite ale comandamentului militar de la Washington. Cu toate acestea, realizatorii reu\u0219esc s\u0103 atrag\u0103 spectatorii de partea americanilor &#8211; o tactic\u0103 cunoscut\u0103 drept recurgere la mentalitatea <em>\u201eunderdog\u201d<\/em>. Aceasta \u00eenseamn\u0103 c\u0103 publicul va exprima compasiune pentru victime (osta\u0219ii americani, \u00een film) \u0219i va a\u0219tepta victoria lor \u00een <a href=\"https:\/\/old.mediacritica.md\/wp-content\/uploads\/2019\/01\/4.jpg\"><img loading=\"lazy\" class=\"alignright size-medium wp-image-10283\" src=\"https:\/\/old.mediacritica.md\/wp-content\/uploads\/2019\/01\/4-350x269.jpg\" alt=\"\" width=\"350\" height=\"269\" srcset=\"https:\/\/old.mediacritica.md\/wp-content\/uploads\/2019\/01\/4-350x269.jpg 350w, https:\/\/old.mediacritica.md\/wp-content\/uploads\/2019\/01\/4.jpg 511w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/a>final. Mesajul sacrificiului \u0219i al luptelor eroice \u00eempotriva du\u0219manilor fac parte din conceptul de patriotism al americanilor, care se \u0219i propaga prin filme istorice precum \u201ePearl Harbor\u201d.<\/p>\n<p>Nu \u00een ultimul r\u00e2nd, cu ajutorul produc\u021biilor cinematografice de acest tip, SUA \u00ee\u0219i exagereaz\u0103 rolul \u00een victoria general\u0103 din cel de-al Doilea R\u0103zboi Mondial \u0219i promoveaz\u0103 mitul c\u0103 anume solda\u021bii americani au dat lovitura decisiv\u0103 \u00een acest flagel. Propaganda ruseasc\u0103 face acela\u0219i lucru, dar invers: le confer\u0103 solda\u021bilor sovietici trofeul de \u201eunici eliberatori ai Europei\u201d. \u00cens\u0103 cinematografia ruseasc\u0103, deocamdat\u0103, nu se poate compara cu magnetismul produc\u021biilor hollywoodiene.<\/p>\n<p style=\"text-align: right;\"><strong><em>Vladislav \u0218aran, politolog<\/em><\/strong><\/p>\n<p><strong><em>_______________________<\/em><\/strong><\/p>\n<p><em>Acest articol este posibil datorit\u0103 ajutorului generos al poporului american oferit prin intermediul Agen\u021biei SUA pentru Dezvoltare Interna\u021bional\u0103 (USAID). Opiniile exprimate apar\u021bin autorilor \u0219i nu reflect\u0103 \u00een mod necesar pozi\u021bia USAID sau a Guvernului SUA.<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Cinematografia a fost utilizat\u0103 \u00een scopuri propagandistice \u00eenc\u0103 de la \u00eenceputurile sale, trec\u00e2nd treptat de la o form\u0103 de divertisment la un instrument de influen\u021bare a opiniei publice &#8211; sau \u00eembin\u00e2ndu-le pe ambele. Ast\u0103zi avem acces la sute \u0219i mii de filme \u0219i seriale de calitate. Mai rar \u00eens\u0103 observ\u0103m mesajele subtile \u0219i personajele carismatice,<\/p>\n<div class=\"read-more\"><a href=\"https:\/\/old.mediacritica.md\/ro\/culisele-manipularii-sau-ce-mesaje-ascund-unele-filme-artistice\/\" title=\"Mai mult\">Mai mult<\/a><\/div>\n","protected":false},"author":4,"featured_media":10285,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[181,34],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v14.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/old.mediacritica.md\/ru\/culisele-manipularii-sau-ce-mesaje-ascund-unele-filme-artistice\/\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00cen culisele manipul\u0103rii sau ce mesaje ascund unele filme artistice - Mediacritica\" \/>\n<meta property=\"og:description\" content=\"Cinematografia a fost utilizat\u0103 \u00een scopuri propagandistice \u00eenc\u0103 de la \u00eenceputurile sale, trec\u00e2nd treptat de la o form\u0103 de divertisment la un instrument de influen\u021bare a opiniei publice &#8211; sau \u00eembin\u00e2ndu-le pe ambele. Ast\u0103zi avem acces la sute \u0219i mii de filme \u0219i seriale de calitate. 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